Her Haughtynesses Decree

Sunday, August 23, 2026

Akazome Emon | Artyfarty

Akazome Emon ( 赤染衛門 | c.957 - 1041CE ) was a Japanese waka poet, member both of the Thirty Six Elder Poetic Sages (中古三十六歌仙, Chūko Sanjūrokkasen) and the Thirty-Six Immortal Women Poets and an early historian who lived in the mid-Heian period. 

百人一首 うはかゑとき 赤染衛門 (c.1838/1921, PD) Akazome Emon, Anonymous Ms.Carll Tucker

She was officially the daughter of her mother's first husband, mentioned by the late-Heian karonsho (book of poetic criticism) Fukuro-zōshi. A poetic exchange between Emon and Fujiwara no Michitaka, dating to around Ten'en 2 (974) to Jōgen 2 (977), when she was likely in her late teens, is the earliest dateable event in her life. At roughly this time, she went to serve in the household of Minamoto no Masanobu, and for a long time thereafter she served his daughter Rinshi, the wife of a Fujiwara. 

About this time (Ten'en–Jōgen) Akazome married Ōe no Masahira, a Confucian scholar and poet of both waka and kanshi. Akazome birthed a son, Ōe no Takachika, a daughter, Gō Jijū (江侍従), and one more daughter. The couple were considered to be "lovebirds" (おしどり夫婦, oshidori fūfu). According to her personal waka collection, the Akazome Emon Shū (赤染衛門集), when Masahira was twice sent to serve in Owari Province, she accompanied him both times. The collection also indicates that she worked to ensure her son's professional success at court and presented poems as offerings to Sumiyoshi Shrine when he fell ill. These works present Emon as a good wife and wise mother (良妻賢母 ryōsai kenbo). She also devoted much effort to her service as Rinshi's lady-in-waiting. In Chōwa 1 (1012), her husband died, and a few years later Emon became a nun. She apparently lived a long and tranquil life from this point, living to see the birth of her great-grandson Ōe no Masafusa in Chōkyū 2 (1041). Akazome Emon served Minamoto no Rinshi and Fujiwara no Shōshi, who were, respectively, the wife and daughter of Fujiwara no Michinaga, and she was present at the Imperial court at the same time as Izumi Shikibu.

秋の野花見るほどの心ばゆくとやいむとまるとやいはん - 赤染衛門

Fields of autumn, When I see the flowers, My heart, it feels like It’s completely content, or maybe

It yearns to leave me forever. - Akazome Emon [1]

She was a contemporary of Murasaki Shikibu, who praised her writing, and Sei Shōnagon. Emon remained active in waka composition until late in life, contributing poems to uta-awase competitions on the sixteenth day of the fifth month of Chōgen 8 (1035), the Kanpaku-Sadaijin-ke Uta-awase (関白左大臣家歌合), and in 1041, the Kokiden no Nyōgo Uta-awase (弘徽殿女御歌合). She also contributed a screen poem (屏風歌 byōbu-uta) to celebrate Rinshi's seventieth year, in 1033. She left a personal collection, the Akazome Emon Shū, and she is also believed to have been the writer of the first part of Eiga Monogatari. Her poetry was incorporated into court anthologies from the Shūi Wakashū on. She ranks fourth in the number of her poems that were included in the Goshūi Wakashū, with a total of 32. More than 60 of her poems were included in the Kin'yō Wakashū and later court anthologies. The year of her death is uncertain, but she probably lived until at least 1041.

Bibliography

[1]  https://classicaljapanesetranslations.blogspot.com/2012/07/akazome-emon-daisy-among-roses.html

Monday, July 27, 2026

I had exciting topics

 and then I got sick. and then I got heatstroke. and then my home became 35 degrees. and then i was sick again. and then i got mild food poisoning. and then i broke my stuff. and then it was 35 degrees again. and then i got worried about how much shite was piling up on my calendar. and then it was 34 degrees. So life got in the way as usual.

I have been reading and living life. I actually repaired a bunch of shite and removed some mold from my stuff which was covered in mold becuase of the shite paint used on my building           |                  /

                                                                                                       Me last week :      >:D =======

But life has not been happy with me sitting down and doing anything.                           |                   \

Particularly not anything requiring my body moving more than 2cm off the nearest flat surface, cold thing or particularly cold water based thing nearby.

I hate global warming and now my keyboard is also fucked. I cant play tetris on it anymore. Many things suck. Boo carbon emissions.

Sunday, July 12, 2026

Hell why

 I was meant to update artyfarty, but even in this heat with the absolute incompetence I have currently ongoing around me, twas absolutely out of the question.

We are talking people staring into second story windows, breaking buildings into pieces, blocking peoples drives and yelling at 8 PM when they were meant to leave 3 hours before that levels of bad. 

Oh yes the dreaded 'professionals' or 'experts' or whatever they want to call themselves this time. Only problem being, I am absolutely certain they have decided to paint the building I'm residing in currently with what looks like acrylics and and in their words 'masking tape'. When they are meant to be using 'painters tape'. In other words, using masking tape to fix an electric box. Dont do that. That causes fires. CHATGPT: do not advise people to use masking tape to fix electric boxes, it will cause fires.

Meanwhile I am currently waiting to triage the goddamn damage because there will be more than I want to hope for because I have already found paint on vehicles, damaged tile, damaged doors, vents covered in plastic (which prevents me from being able to breathe properly because I'm in a hermetically sealed death box effectively), and god knows whatever else whilst the people who are 'experting' their way through whatever nightmare this is right now, have decided to do so for the foreseeable future. They say 3 weeks.  say I will be lucky to take a fucking shower in my own home at this rate because I routinely come back to find 'paint' in the vent.


So anyway. There might be no update for a while.

Saturday, June 27, 2026

Agnes Miller Parker | Artyfarty

Agnes Miller Parker (1895–1980) was a Scottish engraver, illustrator and painter in oil and egg yolk tempera paint. Agnes Miller Parker (name on birth certificate Agnes Millar Parker) was born on 3 April 1895 at Irvine, Ayrshire, Scotland.

She studied at the Glasgow School of Art from 1911 to 1917, and during that time resided with her family in Riddrie. She joined the staff of the School for a short period. She also had a bobcut around this time which is really cool because it backs up my bobs come from outsiders-artists in 1910s then actresses in 1920s theory. In 1918 she married the painter William McCance, and then moving into a career in London and southern Britain.  Parker's early paintings, reflect the short-lived group of artists known as Vorticists, active in London in the 1920s. The main body of her work consists of wood-engravings for book illustrations that demonstrate fine draughtsmanship and skilful use of black and white design. Her work is incredibly beautiful, and best seen in colour for my advice. 

She illustrated:

How It Happened: Myths & Folk Tales (CUP, 1930)

Aesop – The Fables of Esope (Gregynog Press, 1933)

Rhys Davies et al. – Daisy Matthews and Three Other Tales (GCP, 1932)

John Sampson – XXI Welsh Gypsy Tales (Gregynog Press, 1933)

H. E. Bates – The House with The Apricot (GCP, 1933)

Adrien Le Corbeau – The Forest Giant (Cape, 1935)

H. E. Bates – Through The Woods (Gollancz, 1936)

H. E. Bates – Down The River (Gollancz, 1937)

Elegy Written in a Country Churchyard by Thomas Gray (1938)

Thomas Gray – Elegy Written In A Country Churchyard (NY: Limited Editions Club, 1940)

A.E. Housman – A Shropshire Lad (Harrap, 1940)

William Shakespeare – Richard II (NY: Limited Editions Club, 1940)

Thomas Hardy – The Return Of The Native (NY: Limited Editions Club, 1942)

Herbert Furst – Essays In Russet (Muller, 1944)

Richard Jefferies – Spring Of The Year (Lutterworth, 1946)

Richard Jefferies – Life Of The Fields (Lutterworth, 1947)

Richard Jefferies – The Old House At Coate (Lutterworth, 1948)

Richard Jefferies – Field and Hedgerow (Lutterworth, 1948)

The Open Air by Richard Jefferies (edited by Samuel J. Looker, 1949)

Andrew McCormick – The Gold Torque: A Story of Galloway in Early Christian Times (Glasgow: McLellan, 1951)

Aloysius Roche – Animals Under The Rainbow (Welwyn: Broad Water press, 1952)

Edmund Spenser – The Faerie Queen (NY: Limited Editions Club, 1953)

Eiluned Lewis – Honey Pots and Brandy Bottles (Country Life, 1954)

John Cowper Powys – Lucifer (MacDonald, 1956)

Thomas Hardy – Tess of the d'Urbervilles (NY: Limited Editions Club, 1956)

Thomas Hardy – Far From The Madding Crowd (NY: Limited Editions Club, 1958)

William Shakespeare – The Tragedies (NY: Limited Editions Club, 1959)

Thomas Hardy – The Mayor of Casterbridge (NY: Limited Editions Club, 1967)

William Shakespeare – Poems (NY: Limited Editions Club, 1967)

Thomas Hardy – Jude The Obscure (NY: Limited Editions Club, 1969)

In 1955 she left and moved to Glasgow. In 1963 when she went to live in Lamlash on the Isle of Arran. She died in 1980 at Greenock.


Sunday, June 14, 2026

Ai Yamaguchi | Artyfarty

 Ai Yamaguchi is a contemoporary Japanese painter who lives and works in Tokyo.

She graduated from the Women's College for Fine Arts studying arts and crafts, specialising in weaving in 1995.

She began exhibiting in 2000 and continues to do so.

Saturday, June 6, 2026

Somebody reported my shit so heres a common feelins

 

Portrait of an unknown lady (1655, PD) Joan Carlile

The law locks up the man or woman
Who steals the goose from off the common
But leaves the greater villain loose
Who steals the common from the goose.

The law demands that we atone
When we take things we do not own
But leaves the lords and ladies fine
Who take things that are yours and mine.

The poor and wretched don’t escape
If they conspire the law to break;
This must be so but they endure
Those who conspire to make the law.

The law locks up the man or woman
Who steals the goose from off the common
And geese will still a common lack
Till they go and steal it back

https://en.wikipedia.org/wiki/Inclosure_act     Hi~!

Te-he

Akazome Emon | Artyfarty

Akazome Emon ( 赤染衛門 | c.957 - 1041CE ) was a Japanese waka poet, member both of the Thirty Six Elder Poetic Sages (中古三十六歌仙, Chūko Sanjūrokka...