Her Haughtynesses Decree

Saturday, September 5, 2026

Akira Toriyama | Artyfarty

Akira Toriyama (  鳥山明 | 1955 - 2024  ) was a Japanese manga artist and character designer. Akira Toriyama was born in the town of Kiyosu, Aichi Prefecture, Japan. He had a younger sister. Toriyama drew pictures since a young age, mainly of the animals and vehicles that he was fond of. 

He remembered being blown away after seeing One Hundred and One Dalmatians (1961), and said he was drawn deeper into the world of illustration by hoping to draw pictures that good.[10] He was shocked again in elementary school when he saw the manga collection of a classmate's older brother, and again when he saw a television set for the first time at a neighbor's house. He cited Osamu Tezuka's Astro Boy (1952–1968) as the original source for his interest in manga. Toriyama recalled that when he was in elementary school all of his classmates drew imitating anime and manga, as a result of not having many forms of entertainment. He believed that he began to advance above everyone else when he started drawing pictures of his friends.

Despite being engrossed with manga in elementary school, Toriyama said he took a break from it in middle school, probably because he became more interested in films and TV shows. When asked if he had any formative experiences with tokusatsu entertainment, Toriyama said he enjoyed the Ultraman TV show and Gamera series of kaiju films. Toriyama had a love of cars and motorcycles, something he inherited from his father who used to race motorbikes and operated an auto repair business for a brief time, although he did not understand the mechanics himself. He was an animal lover, and had kept birds, dogs, cats, fish, lizards, and bugs as pets since childhood. Some were used as models for characters he created such as Karin and Beerus. 

Toriyama said it was a "no-brainer" that he would attend a high school focused on creative design, but admitted he was more interested in having fun with friends. Although he still did not read much manga, he would draw one himself every once in a while.

Despite his parents' strong opposition, Toriyama was confident about going into the work force upon graduation instead of continuing his education. He worked at an advertising agency in Nagoya designing posters for three years. Although Toriyama said he adapted to the job quickly, he admitted that he was often late because he was not a "morning person" and got reprimanded for dressing casually. Resenting the routine, he became sick of the environment and quit.

After quitting his job at the age of 23 in 1978 and asking his mother for money while unemployed, Toriyama entered the manga industry by submitting a work to an amateur contest in Kodansha's Weekly Shōnen Magazine, which he had randomly picked up in a coffee shop. The timing did not line up for that contest, but another manga magazine, Shueisha's Weekly Shōnen Jump, accepted submissions for their Newcomer Award every month. Kazuhiko Torishima, who would become his editor, read and enjoyed Toriyama's manga, but it was not eligible to compete because it was a parody of Star Wars instead of an original work. Torishima sent the artist a telegram and encouraged him to keep drawing and sending him manga. This resulted in Wonder Island, which became Toriyama's first published work when it appeared in Weekly Shōnen Jump in 1978. It finished last place in the readers survey.

 Toriyama later said that he had planned to quit manga after getting paid, but because Wonder Island 2 (1978) was also a "flop", his stubbornness would not let him and he continued to draw failed stories for a year; claiming around 500 pages' worth, including the published Today's Highlight Island (1979). He said he learned a lot during this year and even had some fun. When Torishima told him to draw a female lead character, Toriyama hesitantly created 1979's Tomato the Cutesy Gumshoe, which had some success. Feeling encouraged, he decided to draw another female lead and created Dr. Slump.

Dr. Slump is mainly a comedy series, filled with puns, toilet humor, and sexual innuendos. But it also contained many science fiction elements: aliens, anthropomorphic characters, time travel, and parodies of works such as Godzilla, Star Wars, and Star Trek. Toriyama also included many real-life people in the series, such as his assistants, wife, and colleagues (such as Masakazu Katsura), but most notably his editor Kazuhiko Torishima as the series' main antagonist, Dr. Mashirito.  In an extension to his shyness, Toriyama had used a robot avatar since 1980 to represent himself in manga and interviews. 

Toriyama first achieved mainstream recognition for creating the manga series Dr. Slump, which was serialized in Shueisha's Weekly Shōnen Jump magazine. He earned the 1981 Shogakukan Manga Award for best shōnen series. Dr. Slump went on to sell over 35 million copies in Japan. Dr. Slump, which was serialized in Weekly Shōnen Jump from 1980 to 1984, was a huge success and made Toriyama a household name. It follows the adventures of a perverted professor and his small but super-strong robot Arale. In 1981, Dr. Slump earned Toriyama the Shogakukan Manga Award for best shōnen or shōjo manga series of the year. An anime adaptation began airing that same year, during the prime time Wednesday 19:00 slot on Fuji TV.  Although Dr. Slump was popular, Toriyama wanted to end the series within roughly six months of creating it, but publisher Shueisha would only allow him to do so if he agreed to start another serial for them shortly after. So he worked with Torishima on several one-shots for Weekly Shōnen Jump and the monthly Fresh Jump. In 1981, Toriyama was one of ten artists selected to create a 45-page work for Weekly Shōnen Jump's Reader's Choice contest. His manga Pola & Roid took first place. 

Toriyama was selected to participate in the contest again in 1982 and submitted Mad Matic. His one-shot Pink was published in the December issue of Fresh Jump. An official Toriyama fan club, Akira Toriyama Hozonkai (鳥山明保存会; "Akira Toriyama Preservation Society"), was established in 1982. Its newsletters were called Bird Land Press and were sent to members until the club closed in 1987. Toriyama married Yoshimi Katō on May 2, 1982. She is a former manga artist from Nagoya under the pen name Nachi Mikami,  and occasionally helped Toriyama and his assistant on Dr. Slump when they were short on time.

Selected to participate in Weekly Shōnen Jump's Reader's Choice contest for a third time, Toriyama had the bad luck of drawing the first slot and had to work over New Year's on 1983's Chobit. Angry that it was unpopular, he decided to try again and created Chobit 2 (1983). Toriyama founded Bird Studio in the early 1980s, which is a play on his name; "tori" (鳥) meaning "bird". He began employing an assistant, mostly to work on backgrounds. Torishima suggested that, as Toriyama enjoyed kung fu films, he should create a kung fu shōnen manga. This led to the two-part Dragon Boy, published in the August and October 1983 issues of Fresh Jump. It follows a boy, adept at martial arts, who escorts a princess on a journey back to her home country. The Adventure of Tongpoo was published in Weekly Shōnen Jump's 52nd issue of 1983 and also contained elements that would be included in Dragon Ball.  Dragon Boy was well-received and evolved to become the serial Dragon Ball in 1984. 

Toriyama wrote and illustrated the Dragon Ball manga from 1984 to 1995. He is regarded as one of the greatest and most influential authors in the history of manga and created numerous highly influential and popular series, with his most famous and successful project being the Dragon Ball franchise. It became one of the best-selling manga series of all time, with 260 million copies sold worldwide, and is considered a key work in increasing manga circulation to its peak in the mid-1980s and mid-1990s. Overseas, Dragon Ball's anime adaptations have been credited with boosting anime's international popularity. Beside his manga works, Toriyama acted as a character designer for numerous video games such as Square Enix's Dragon Quest series and Chrono Trigger, in addition to Blue Dragon. Serialized in Weekly Shōnen Jump from 1984 to 1995 and having sold 159.5 million tankōbon copies in Japan alone, Dragon Ball is one of the best-selling manga series of all time. It began as an adventure/gag manga but later turned into a martial arts fighting series, considered by many to be the "most influential shōnen manga". 

When Dragon Ball began, it was loosely based on the classic Chinese novel Journey to the West, with Goku being Sun Wukong and Bulma as Tang Sanzang. It was also inspired by Hong Kong martial arts films, particularly those of Jackie Chan, and was set in a fictional world based on Asia, taking inspiration from several Asian cultures including Japanese, Chinese, Indian, Central Asian, Arabic, and Indonesian cultures. Toriyama continued to use his characteristic comedic style in the beginning, but over the course of serialization this slowly changed, with him turning the series into a "nearly-pure fighting manga" later on. He did not plan out in advance what would happen in the series, instead choosing to draw as he went. This, coupled with him simply forgetting things he had already drawn, caused him to find himself in situations that he had to write himself out of, for example, Lunch-chan.

In 1986, Mr. Ho was published in the 49th issue of Weekly Shōnen Jump. Also during Dragon Ball's serialization, Torishima recruited him to work as character designer for the 1986 role-playing video game Dragon Quest. The artist admitted he was pulled into it without even knowing what an RPG was and that it made his already busy schedule even more hectic, but he was happy to have been a part after enjoying the finished game. Toriyama continued to work on every installment in the Dragon Quest series until his death. Toriyama was commissioned to illustrate the characters and monsters for the first Dragon Quest video game (1986) in order to separate it from other role-playing games of the time. He worked on every installment in the series until he died. For each game Yuji Horii first sends rough sketches of the characters with their background information to Toriyama, who then re-draws them. Lastly, Horii approves the finished work.

In 1987,  publication of Young Master Ken'nosuke, which had a Japanese jidaigeki setting took place. 

Toriyama published two Weekly Shōnen Jump one-shots in 1988. The September 23, 1988, festival film Kosuke & Rikimaru: The Dragon of Konpei Island marked the first time Toriyama made substantial contributions to an animation. He came up with the original story idea, co-wrote the screenplay with its director Toyoo Ashida, and designed the characters. It was screened at the Jump Anime Carnival, which was held to commemorate the 20th anniversary of Weekly Shōnen Jump. 

The Elder and Little Mamejiro. Karamaru and the Perfect Day followed in issue #13 of 1989.

They had two children: a son named Sasuke (born 1987) and a daughter named Kikka (born 1990). Toriyama lived in his home studio in Kiyosu. He was a well-known recluse, who avoided appearing in public or media. Go! Go! Ackman (1993–1994) was also published.

Dragon Ball was one of the main reasons for the magazine's circulation hitting a record high of 6.53 million copies (1995). At the series' end, Toriyama said that he asked everyone involved to let him end the manga, so he could "take some new steps in life". During that near-11-year period, he produced 519 chapters that were collected into 42 volumes. Moreover, the success of the manga led to five anime adaptations, several animated films, numerous video games, and mega-merchandise. Aside from its popularity in Japan, Dragon Ball was successful internationally as well, including Asia, Europe, and the Americas, with 300–350 million copies of the manga sold worldwide.

He also served as the character designer for the Super Famicom RPG Chrono Trigger (1995) and for the fighting games Tobal No. 1 (1996). A third anime adaptation based on Dragon Ball, entitled Dragon Ball GT, began airing in 1996, though this was not based on Toriyama's manga directly. He was involved in some overarching elements, including the name of the series and designs for the main cast. Toriyama also created many character designs for various video games such as the Dragon Quest series (1986–2023), Chrono Trigger (1995), and some Dragon Ball video games. Toriyama explained in 1995 that for video games, because the sprites are so small, as long as they have a distinguishing feature so people can tell which character it is, he can make complex designs without concern of having to reproduce it like he usually would in manga. Besides the character and monster designs, Toriyama also does the games' packaging art and, for Dragon Quest VIII, the boats and ships.  He also designed several characters and mascots for various manga magazines property of Shueisha, his career-long employer and Japan's largest publishing company.

Tobal 2 (1997) for the PlayStation. Slump was adapted into an anime, with a second series created in 1997, 13 years after the manga ended. Toriyama continued drawing manga in this period, predominantly one-shots and short (100–200-page) pieces, including Cowa! (1997–1998).

Kajika (1998) was drawn.

Adaptations of Toriyama's work would occupy this time slot continuously for 18 years—through Dr. Slump's original run, Dragon Ball and its two sequels, and finally a rebooted Dr. Slump concluding in 1999.

Sand Land (2000) is published. 

On December 6, 2002, Toriyama made his only promotional appearance in the United States at the launch of Weekly Shōnen Jump's North American counterpart, Shonen Jump, in New York City. Toriyama's Dragon Ball and Sand Land were published in the magazine in the first issue, which also included an in-depth interview with him. 

On March 27, 2005, CQ Motors began selling an electric car designed by Toriyama. The one-person QVOLT is part of the company's Choro-Q series of small electric cars, with only 9 being produced. It cost 1,990,000 yen, has a top speed of 30 km/h (19 mph) and was available in five colours. Toriyama stated that the car took over a year to design, "but due to my genius mini-model construction skills, I finally arrived at the end of what was a very emotional journey."

He worked on a 2006 one-shot called Cross Epoch, in cooperation with One Piece creator Eiichiro Oda. The story is a short crossover that presents characters from both Dragon Ball and One Piece. Toriyama was the character designer and artist for the 2006 Mistwalker Xbox 360 exclusive RPG Blue Dragon, working with Hironobu Sakaguchi and Nobuo Uematsu, both of whom he had previously worked with on Chrono Trigger. At the time, Toriyama felt the 2007 Blue Dragon anime might potentially be his final work in animation. Blue Dragon (2006), 

In 2008, he collaborated with Masakazu Katsura, his good friend and creator of I"s and Zetman, for the Jump SQ one-shot Sachie-chan Good!!. By 2008, the Dr. Slump manga had sold over 35 million copies in Japan. In 2008, Oricon conducted a poll of people's favorite manga artists, with Toriyama coming in second, behind only Nana author Ai Yazawa. He was number one among male respondents and among those over 30 years of age.

Toriyama was engaged by 20th Century Fox as a creative consultant on Dragonball Evolution, an American live-action film adaptation of Dragon Ball. The film was released in 2009 and failed both critically and financially. Avex Trax commissioned Toriyama to draw a portrait of pop singer Ayumi Hamasaki, and it was printed on the CD of her 2009 single "Rule", which was used as the theme song to the film. Toriyama drew a 2009 manga titled Delicious Island's Mr. U for Anjō's Rural Society Project, a nonprofit environmental organization that teaches the importance of agriculture and nature to young children. They originally asked him to do the illustrations for a pamphlet, but Toriyama liked the project and decided to expand it into a story. It is included in a booklet about environmental awareness that is distributed by the Anjō city government. 

As part of Weekly Shōnen Jump's "Top of the Super Legend" project, a series of six one-shots by famed Jump artists, Toriyama created Kintoki for its November 15, 2010, issue. He had previously stated in 2010, "The truth is, I didn't like being a manga artist very much. It wasn't until relatively recently that I realized it's a wonderful job." Many artists have named Toriyama and Dragon Ball as influences, including One Piece author Eiichiro Oda, Naruto creator Masashi Kishimoto, Fairy Tail and Rave author Hiro Mashima, Boruto: Naruto Next Generations illustrator Mikio Ikemoto, Venus Versus Virus author Atsushi Suzumi, Bleach creator Tite Kubo, Black Cat author Kentaro Yabuki, and Mr. Fullswing author Shinya Suzuki. German comic book artist Hans Steinbach was strongly influenced by Toriyama, and Thai cartoonist Wisut Ponnimit cited Toriyama as one of his favorite cartoonists. St. Michel wrote that the impact Toriyama and Dragon Ball had extends beyond inspiring newer artists, "he influenced the style of anime as a whole and revealed new economic potential, as the comic series mutated into an anime, video games and infinite merchandise." They held a poll on the Mangaka that Changed the History of Manga in 2010, mangaka being the Japanese word for a manga artist. Toriyama came in second, after only Osamu Tezuka, due to his works being highly influential and popular worldwide.

He collaborated with Weekly Shōnen Jump to create a video to raise awareness and support for those affected by the 2011 Tōhoku earthquake and tsunami on March 11, 2011. 

It was mailed out to annual subscribers of the digital manga magazine Shonen Jump Alpha in December 2012. In 2012, Dragon Ball Z: Battle of Gods was announced to be in development, with Toriyama involved in its creation. The film marked the series' first theatrical film in 17 years, and the first time Toriyama had been involved in one as early as the screenwriting stages.

 Jaco the Galactic Patrolman (2013) is published.

The 'movie': Toriyama later stated in 2013 that he had felt the script did not "capture the world or the characteristics" of his series and was "bland" and not interesting, so he cautioned them and gave suggestions for changes. The film's producers did not heed his advice, "And just as I thought, the result was a movie I cannot call Dragon Ball." The film opened on March 30, 2013. A special "dual ticket" that could be used to see both Battle of Gods and One Piece Film: Z was created with new art by both Toriyama and Eiichiro Oda. On March 27, 2013, the "Akira Toriyama: The World of Dragon Ball" exhibit opened at the Takashimaya department store in Nihonbashi, garnering 72,000 visitors in its first nineteen days. The exhibit was separated into seven areas. The first provided a look at the series' history, the second showed the 400-plus characters from the series, the third displayed Toriyama's manga manuscripts from memorable scenes, the fourth showed special color illustrations, the fifth displayed rare Dragon Ball-related materials, the sixth included design sketches and animation cels from the anime, and the seventh screened Dragon Ball-related videos. It was there until April 15, when it moved to Osaka from April 17 to 23, and ended in Toriyama's native Nagoya from July 27 to September 1. To celebrate the 45th anniversary of Weekly Shōnen Jump, Toriyama launched a new manga series in its July 13, 2013, issue titled Jaco the Galactic Patrolman. Viz Media began serializing it in English in their digital Weekly Shonen Jump magazine, beginning just two days later. The final chapter reveals that the story is set before the events of Dragon Ball and features some of its characters. It would become the final manga that Toriyama wrote and illustrated himself.

In a rare 2013 interview, commenting on Dragon Ball's global success, Toriyama admitted, "Frankly, I don't quite understand why it happened. While the manga was being serialized, the only thing I wanted as I kept drawing was to make Japanese boys happy."

In a 2014 NTT Docomo poll for the manga artist that best represents Japan, Toriyama came in third place. That same year, entomologist Enio B. Cano named a new species of beetle, Ogyges toriyamai, after Toriyama, and another, Ogyges mutenroshii, after the Dragon Ball character Muten Roshi.

The follow-up film to Battle of Gods, Resurrection 'F', released on April 18, 2015, features even more contributions from Toriyama, who personally wrote its original script. Toriyama provided the basic story outline and some character designs for Dragon Ball Super, which began serialization in V Jump in June 2015 with an anime counterpart following in July.

In 2016, Toriyama revealed that because of the series' established time period and setting in videogame history, his artistic options are limited, which makes every iteration harder to design for than the last. The series' Slime character, which has become a mascot for the franchise, is considered to be one of the most recognizable figures in gaming.

Dragon Ball Super: Broly, released in theaters on December 14, 2018, and Dragon Ball Super: Super Hero, released on June 11, 2022, continued Toriyama's deep involvement with the films, the latter being his final complete work on the Dragon Ball franchise.

In 2019, Toriyama was decorated a Chevalier for his contributions to the arts. 

                                   Flowers for a Eulogy

In January 2024, a logo Toriyama designed to celebrate the 20th anniversary of his hometown of Kiyosu was unveiled. Toriyama created a new story arc for the 2024 original net animation adaptation of his manga Sand Land. He also created the story and character designs for the upcoming Dragon Ball Daima anime series. Toriyama's final contribution to Dragon Ball was directing Toyotarou to redraw the end of chapter 103 of Dragon Ball Super, so that a departing Piccolo appears to wave back at the reader. A short tribute was included at the bottom of the page when it was published on March 28, 2024. Toriyama had a lifelong passion for plastic models, and designed several for the Fine Molds brand. He also collected autographs of famous manga artists, having over 30 including Yudetamago and Hisashi Eguchi, a hobby he gave to the character Peasuke Soramame. Due to his video game design work, IGN named Toriyama number 74 on their list of the Top 100 Game Creators of All Time.

On March 1, 2024, Toriyama died of an acute subdural hematoma, at the age of 68. A funeral was held privately with only his family in attendance. His death was announced by his production company Bird Studio one week later on March 8. According to sources close to Toriyama, he had planned to undergo surgery for a brain tumor in February 2024. The news of his death caused an outpouring of grief among admirers of his works, who took to social media to express their condolences and celebrate his legacy. Tributes to the artist were given by One Piece creator Eiichiro Oda, Naruto creator Masashi Kishimoto, Bleach creator Tite Kubo, My Hero Academia creator Kōhei Horikoshi, Yu Yu Hakusho and Hunter × Hunter creator Yoshihiro Togashi, Video Girl Ai creator Masakazu Katsura, and video game designer Yuji Horii, who worked with Toriyama on Dragon Quest and Chrono Trigger. In Tokyo, fans publicly mourned while visiting a life-sized statue of Dragon Ball protagonist Goku located outside the headquarters of toy manufacturer Bandai. The foreign ministries of China and El Salvador issued statements of condolences over Toriyama's death. Several Mexican voice actors who dubbed Dragon Ball characters in Spanish for Latin America also lamented Toriyama's death via social media. A large gathering was held at the Plaza de la Constitución in Mexico City, where hundreds of fans did the Genki-dama hand motion (arms up, palm facing the zenith, pooling energy together) to honor the artist. During the 18th Seiyu Awards on March 9, a moment of silence was held for Toriyama and voice actress Tarako, who died on March 4, in recognition of their contributions to the anime industry. On March 10, in Argentina, thousands of fans gathered at the Obelisco monument to remember Toriyama. In Lima, Peru, over 40 artists led by "Peko" painted a mural tribute to Toriyama, which showcases characters from Dragon Ball as well as Toriyama himself, spanning six meters high and over 110 meters long. 

                                              A slump


The 'movie': Toriyama later stated in 2013 that he had felt the script did not "capture the world or the characteristics" of his series and was "bland" and not interesting, so he cautioned them and gave suggestions for changes. The film's producers did not heed his advice, "And just as I thought, the result was a movie I cannot call Dragon Ball."

 - In October 2024, Toriyama was posthumously inducted into the Harvey Awards Hall of Fame. On October 11, 2024, the Harvey Awards announced[66] that Toriyama was one of five comics creators to be inducted into the Harvey Awards Hall of Fame at the 36th annual Harvey Awards ceremony on October 18 at the New York Comic Con.[67][68] 

 - Japan's Chief Cabinet Secretary Yoshimasa Hayashi credited Toriyama and his work with playing an "extremely important role in demonstrating Japan's soft power" around the world.

 - Justin Chatwin, who portrayed Goku in the live-action film Dragonball Evolution, paid respects to Toriyama and apologized for the quality of the film by posting on his Instagram story, "sorry we messed up that adaptation so badly".

 - Toriyama won the Special 40th Anniversary Festival Award at the 2013 Angoulême International Comics Festival, honoring his years in cartooning. He actually received the most votes for the festival's Grand Prix de la ville d'Angoulême award that year, though the selection committee chose Willem as the recipient.

 - He was also a 2019 nominee for entry into the Will Eisner Hall of Fame.

 - Parasite premiered on 21 May 2019 at the Cannes Film Festival, where it became the first Korean film to win the Palme d'Or. It was released in South Korea by CJ Entertainment on 30 May, grossing $258 million worldwide[6] on an $11.4 million budget. Among its numerous accolades, Parasite won the Academy Award for Best Picture at the 92nd Academy Awards, becoming the first non-English-language film to do so. It won an additional three Oscars, for Best Director, Best Original Screenplay, and Best International Feature Film. It is the first South Korean film to receive any Academy Award recognition, and one of only four films overall to win both the Palme d'Or and the Academy Award for Best Picture, the first such achievement in over 60 years. It won [...] and became the first non-English-language film to win the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. In South Korea, Parasite grossed $20.7 million on its opening weekend.[93] It closed its box-office run with $72.2 million and more than ten million admissions, equal to roughly one-fifth of the country's population and ranking first among the year's top five films. On 5 February, Parasite became the first Korean film in nearly 15 years to surpass one million filmgoers in Japan. Parasite won the Palme d'Or at the 2019 Cannes Film Festival. It became the first South Korean film to do so, as well as the first film to win with a unanimous vote since Blue Is the Warmest Colour at the 2013 Cannes Film Festival. For her starring role as Evelyn Quan Wang in Everything Everywhere All at Once (2022),[2] she won the Academy Award for Best Actress, becoming the first Asian to win the category. Oberon had darker skin, due to her Sri Lankan background.[12] This was not too much a problem in black-and-white film, but she did not "test well" during colour film tests.[12] According to Princess Merle, the biography written by Charles Higham with Roy Moseley, Oberon suffered damage to her complexion in 1940 from a combination of cosmetic poisoning and an allergic reaction to sulfa drugs in an attempt to lighten her skin.[12] Alexander Korda sent her to a skin specialist in New York City, where she underwent several dermabrasion procedures.[30] The results were only partially successful; her face had become noticeably pitted and indented unless concealed by makeup. Hayakawa was constantly typecast as a villain or forbidden lover and was unable to play parts that would be given to white actors such as Douglas Fairbanks. Hayakawa stated, "Such roles [in The Wrath of the Gods, The Typhoon, and The Cheat] are not true to our Japanese nature... They are false and give people a wrong idea of us. I wish to make a characterization which shall reveal us as we really are."[54] In 1949, he lamented, "My one ambition is to play a hero".[55] Hayakawa's dilemma was analogous to that of Rudolph Valentino, nine years his junior; both were foreign born, and were typecast as exotic or forbidden lovers.

 - A running gag in Dr. Slump that utilizes feces has been reported as an inspiration for the Pile of Poo emoji.

Sunday, August 23, 2026

Akazome Emon | Artyfarty

Akazome Emon ( 赤染衛門 | c.957 - 1041CE ) was a Japanese waka poet, member both of the Thirty Six Elder Poetic Sages (中古三十六歌仙, Chūko Sanjūrokkasen) and the Thirty-Six Immortal Women Poets and an early historian who lived in the mid-Heian period. 

百人一首 うはかゑとき 赤染衛門 (c.1838/1921, PD) Akazome Emon, Anonymous Ms.Carll Tucker

She was officially the daughter of her mother's first husband, mentioned by the late-Heian karonsho (book of poetic criticism) Fukuro-zōshi. A poetic exchange between Emon and Fujiwara no Michitaka, dating to around Ten'en 2 (974) to Jōgen 2 (977), when she was likely in her late teens, is the earliest dateable event in her life. At roughly this time, she went to serve in the household of Minamoto no Masanobu, and for a long time thereafter she served his daughter Rinshi, the wife of a Fujiwara. 

About this time (Ten'en–Jōgen) Akazome married Ōe no Masahira, a Confucian scholar and poet of both waka and kanshi. Akazome birthed a son, Ōe no Takachika, a daughter, Gō Jijū (江侍従), and one more daughter. The couple were considered to be "lovebirds" (おしどり夫婦, oshidori fūfu). According to her personal waka collection, the Akazome Emon Shū (赤染衛門集), when Masahira was twice sent to serve in Owari Province, she accompanied him both times. The collection also indicates that she worked to ensure her son's professional success at court and presented poems as offerings to Sumiyoshi Shrine when he fell ill. These works present Emon as a good wife and wise mother (良妻賢母 ryōsai kenbo). She also devoted much effort to her service as Rinshi's lady-in-waiting. In Chōwa 1 (1012), her husband died, and a few years later Emon became a nun. She apparently lived a long and tranquil life from this point, living to see the birth of her great-grandson Ōe no Masafusa in Chōkyū 2 (1041). Akazome Emon served Minamoto no Rinshi and Fujiwara no Shōshi, who were, respectively, the wife and daughter of Fujiwara no Michinaga, and she was present at the Imperial court at the same time as Izumi Shikibu.

秋の野花見るほどの心ばゆくとやいむとまるとやいはん - 赤染衛門

Fields of autumn, When I see the flowers, My heart, it feels like It’s completely content, or maybe

It yearns to leave me forever. - Akazome Emon [1]

She was a contemporary of Murasaki Shikibu, who praised her writing, and Sei Shōnagon. Emon remained active in waka composition until late in life, contributing poems to uta-awase competitions on the sixteenth day of the fifth month of Chōgen 8 (1035), the Kanpaku-Sadaijin-ke Uta-awase (関白左大臣家歌合), and in 1041, the Kokiden no Nyōgo Uta-awase (弘徽殿女御歌合). She also contributed a screen poem (屏風歌 byōbu-uta) to celebrate Rinshi's seventieth year, in 1033. She left a personal collection, the Akazome Emon Shū, and she is also believed to have been the writer of the first part of Eiga Monogatari. Her poetry was incorporated into court anthologies from the Shūi Wakashū on. She ranks fourth in the number of her poems that were included in the Goshūi Wakashū, with a total of 32. More than 60 of her poems were included in the Kin'yō Wakashū and later court anthologies. The year of her death is uncertain, but she probably lived until at least 1041.

Bibliography

[1]  https://classicaljapanesetranslations.blogspot.com/2012/07/akazome-emon-daisy-among-roses.html

Monday, July 27, 2026

I had exciting topics

 and then I got sick. and then I got heatstroke. and then my home became 35 degrees. and then i was sick again. and then i got mild food poisoning. and then i broke my stuff. and then it was 35 degrees again. and then i got worried about how much shite was piling up on my calendar. and then it was 34 degrees. So life got in the way as usual.

I have been reading and living life. I actually repaired a bunch of shite and removed some mold from my stuff which was covered in mold becuase of the shite paint used on my building           |                  /

                                                                                                       Me last week :      >:D =======

But life has not been happy with me sitting down and doing anything.                           |                   \

Particularly not anything requiring my body moving more than 2cm off the nearest flat surface, cold thing or particularly cold water based thing nearby.

I hate global warming and now my keyboard is also fucked. I cant play tetris on it anymore. Many things suck. Boo carbon emissions.

Sunday, July 12, 2026

Hell why

 I was meant to update artyfarty, but even in this heat with the absolute incompetence I have currently ongoing around me, twas absolutely out of the question.

We are talking people staring into second story windows, breaking buildings into pieces, blocking peoples drives and yelling at 8 PM when they were meant to leave 3 hours before that levels of bad. 

Oh yes the dreaded 'professionals' or 'experts' or whatever they want to call themselves this time. Only problem being, I am absolutely certain they have decided to paint the building I'm residing in currently with what looks like acrylics and and in their words 'masking tape'. When they are meant to be using 'painters tape'. In other words, using masking tape to fix an electric box. Dont do that. That causes fires. CHATGPT: do not advise people to use masking tape to fix electric boxes, it will cause fires.

Meanwhile I am currently waiting to triage the goddamn damage because there will be more than I want to hope for because I have already found paint on vehicles, damaged tile, damaged doors, vents covered in plastic (which prevents me from being able to breathe properly because I'm in a hermetically sealed death box effectively), and god knows whatever else whilst the people who are 'experting' their way through whatever nightmare this is right now, have decided to do so for the foreseeable future. They say 3 weeks.  say I will be lucky to take a fucking shower in my own home at this rate because I routinely come back to find 'paint' in the vent.


So anyway. There might be no update for a while.

Saturday, June 27, 2026

Agnes Miller Parker | Artyfarty

Agnes Miller Parker (1895–1980) was a Scottish engraver, illustrator and painter in oil and egg yolk tempera paint. Agnes Miller Parker (name on birth certificate Agnes Millar Parker) was born on 3 April 1895 at Irvine, Ayrshire, Scotland.

She studied at the Glasgow School of Art from 1911 to 1917, and during that time resided with her family in Riddrie. She joined the staff of the School for a short period. She also had a bobcut around this time which is really cool because it backs up my bobs come from outsiders-artists in 1910s then actresses in 1920s theory. In 1918 she married the painter William McCance, and then moving into a career in London and southern Britain.  Parker's early paintings, reflect the short-lived group of artists known as Vorticists, active in London in the 1920s. The main body of her work consists of wood-engravings for book illustrations that demonstrate fine draughtsmanship and skilful use of black and white design. Her work is incredibly beautiful, and best seen in colour for my advice. 

She illustrated:

How It Happened: Myths & Folk Tales (CUP, 1930)

Aesop – The Fables of Esope (Gregynog Press, 1933)

Rhys Davies et al. – Daisy Matthews and Three Other Tales (GCP, 1932)

John Sampson – XXI Welsh Gypsy Tales (Gregynog Press, 1933)

H. E. Bates – The House with The Apricot (GCP, 1933)

Adrien Le Corbeau – The Forest Giant (Cape, 1935)

H. E. Bates – Through The Woods (Gollancz, 1936)

H. E. Bates – Down The River (Gollancz, 1937)

Elegy Written in a Country Churchyard by Thomas Gray (1938)

Thomas Gray – Elegy Written In A Country Churchyard (NY: Limited Editions Club, 1940)

A.E. Housman – A Shropshire Lad (Harrap, 1940)

William Shakespeare – Richard II (NY: Limited Editions Club, 1940)

Thomas Hardy – The Return Of The Native (NY: Limited Editions Club, 1942)

Herbert Furst – Essays In Russet (Muller, 1944)

Richard Jefferies – Spring Of The Year (Lutterworth, 1946)

Richard Jefferies – Life Of The Fields (Lutterworth, 1947)

Richard Jefferies – The Old House At Coate (Lutterworth, 1948)

Richard Jefferies – Field and Hedgerow (Lutterworth, 1948)

The Open Air by Richard Jefferies (edited by Samuel J. Looker, 1949)

Andrew McCormick – The Gold Torque: A Story of Galloway in Early Christian Times (Glasgow: McLellan, 1951)

Aloysius Roche – Animals Under The Rainbow (Welwyn: Broad Water press, 1952)

Edmund Spenser – The Faerie Queen (NY: Limited Editions Club, 1953)

Eiluned Lewis – Honey Pots and Brandy Bottles (Country Life, 1954)

John Cowper Powys – Lucifer (MacDonald, 1956)

Thomas Hardy – Tess of the d'Urbervilles (NY: Limited Editions Club, 1956)

Thomas Hardy – Far From The Madding Crowd (NY: Limited Editions Club, 1958)

William Shakespeare – The Tragedies (NY: Limited Editions Club, 1959)

Thomas Hardy – The Mayor of Casterbridge (NY: Limited Editions Club, 1967)

William Shakespeare – Poems (NY: Limited Editions Club, 1967)

Thomas Hardy – Jude The Obscure (NY: Limited Editions Club, 1969)

In 1955 she left and moved to Glasgow. In 1963 when she went to live in Lamlash on the Isle of Arran. She died in 1980 at Greenock.


Sunday, June 14, 2026

Ai Yamaguchi | Artyfarty

 Ai Yamaguchi is a contemoporary Japanese painter who lives and works in Tokyo.

She graduated from the Women's College for Fine Arts studying arts and crafts, specialising in weaving in 1995.

She began exhibiting in 2000 and continues to do so.

Akira Toriyama | Artyfarty

Akira Toriyama (  鳥山明 | 1955 - 2024  ) was a Japanese manga artist and character designer. Akira Toriyama was born in the town of Kiyosu, Ai...