Her Haughtynesses Decree

Saturday, April 11, 2026

Aert van der neer | Arty Farty

Aert (c1603-1677) was a Dutch landscape painter who specialism was night scenes. His particular skillset was in depicting moonlight and fires in winter landscapes around waterbodies.

Van der Neer was born in Gorinchem. He worked as a steward to the lords of Arkel early on in life. He became an amateur painter possibly upon contact with the Amsterdam painters Rafael and Joachim Govertsz Camphuysen, whose sister Lysbeth he married in 1629. They had six children: Grietje (1629), Eglon (~1635), Cornelia (1642), Elisabeth (1645), Pieter (1648), and Alida (1650). He also knew Aelbert Cuyp and Meindert Hobbema.

His first paintings were sold around 1639. 

Winter Landscape with Skaters (1642, PD) Aert

His Winter Landscape (1643), and the Moonlight Scene (1644) were highly regarded after his death. 

Landscape with a Windmill (1646, PD) Aert
Moonlit Landscape with a View of the New Amstel River and Castle Kostverloren (1647, PD) Aert
Moonlit Landscape with Bridge (1648, PD) Aert
Night Landscape with a River (c.16[??]49, PD) Aert
Holländische Kanallandschaft bei Mondschein mit Schlittschuhläufern und einem Lagerfeuer, an dem sich Bauern wärmen (1650, PD) Aert
Winter skating Scene (1650, PD) Aert

His 1652 witness to a city hall fire birthed a few more paintings. It seems he was  well acquainted with the canals and woods about Haarlem and Leiden, and with the reaches of the Meuse and Rhine. Dordrecht, the home of Aelbert Cuyp, is sometimes found in his pictures, and substantial evidence exists that there was friendship between the two men. 

Paintings by he and Cuyp has represented either the frozen Maes with fishermen packing herrings, or the moon reflecting its light on the river waters. These are models after which Van Der Neer appears to have worked. He carefully enlivened his friend's pictures, when asked to do so, with figures and cattle. Van Der Neer's favourite subjects were the rivers and watercourses of his native country either at sunset or after dark, realizing translucence which allows objects even distant to appear in the darkness with varieties of warm brown and steel greys, and to paint frozen water, and his daylight icescapes with golfers, sleighers, and fishermen are as numerous as his moonlights. 

Riviergezicht bij winter Rijksmuseum (c1655, PD) Riksmuseum Aert
Winter landscape with ice skaters (c.1655, PD) Aert
Flusslandschaft mit Mondschein (1655, PD) Aert

In the National Gallery, London picture Cuyp signs his name on the pail of a milkmaid, whose figure and red skirt he has painted with light effectiveness near the edge of Van Der Neer's landscape. Lysbeth and he lived in Kalverstraat during that time, but because Lysbeth had birthed 5 mouths, he opened a wine tavern by 1659, going bankrupt in 1661. 

Winter landscape, view of a town with a wide river with numerous ice skaters (1660, PD) Aert
Winter Landscape with Skaters (1665, PD) Aert

And then he died. Eglon became a painter after that, presumably taught by Lysbeth. Aerts largest of about one hundred and fifty pictures accessible to the public, are in the Hermitage at Saint Petersburg. In England they are at the National Gallery and Wallace Collection. 


Sunday, March 29, 2026

Adriaen Coorte | Arty Farty

Adriaen Coorte (c.1665-1707+) was a Dutch painter of still life. He is assumed to have been born and died in Middelburg. He became a pupil of Melchior d'Hondecoeter around 1680 in Amsterdam. Hondecoeter is known for repetitions of certain birds in certain poses, and he apparently took on pupils who were set to work copying these into their compositions.

Coorte signed works after 1683. He painted small and unpretentious still-lifes in a retrograde, close-up style. From 1683 he seems to have returned to Middelburg, where he set up a workshop and signed his small, carefully balanced minimalist still lifes. He often painted on paper that was glued to a wooden panel. About 80 signed works by him have been catalogued, mostly of small arrangements of fruits, vegetables, or shells on a stone slab, lit from above, with the dark background typical of still lifes earlier in the century. 

Strawberries_and_Red_Currants_on_a_Marble_Ledge.jpg (1685)


Strawberries, Asparagus, and Gooseberries in a Niche (1685, PD) Coorte
Stilleven_met_een_vlinder%2C_abrikozen%2C_kersen_en_een_kastanje (1685)
Fruit_on_a_Stone_Table_with_Landscape_Beyond.jpg (1685)


Vanitas Still Life (1686, PD) Coorte

Stilleven_met_rode_aalbesses mispels druiven_en_een_libelle (1686)
Still_life_with_hanging_bunch_of_grapes%2C_two_medlars_and_a_butterfly.jpg (1687)
Vier abrikozen op een stenen plint (1688, PD) Coorte
Grapes%2C_Medlars%2C_Apricots_and_a_Fig.jpg (1688)


Vanitas_still_life_in_a_niche.jpg (1688)


Two peaches and a fritillary butterfly on a stone plinth (1680-1690, PD) Coorte




Peach and two Apricots (1692, PD) Coorte
Strawberries in a stone jar (1693, PD) Coorte
Still life with three peaches on a stone legde and a butterfly (1693-1695, PD) Coorte


Instead of the Chinese or silver vessels favoured by his contemporaries, his tableware is very basic pottery. Archival evidence only exists in Middelburg for his membership in the Guild of St. Luke there from 1695 onwards, when he was fined for selling a painting without being a member of the guild. His works appear frequently in contemporary Middelburg taxation inventories. 

Grapes%2C_Peaches_and_Apricots_on_a_Stone_Plinth.jpg (1695)
Asparagus (1696, PD) Coorte
Strawberries (1696, PD) Coorte
Still life with Hazelnuts (1696, PD) Coorte
Een_bakje_aardbeien_op_een_stenen_plint (1696, PD) Coorte
Perziken_en_abrikozen_op_een_stenen_richel.jpg (1696)

Five_Shells_on_a_Slab_of_Stone (1696)


Two_Large_and_Three_Small_Shells (1696)
A bowl of strawberries with gooseberries on a stone ledge / Still life with a bowl of strawberries and a spray of gooseberries (1696)




Still Life with Shells (1697, PD) Adriaen Coorte
Still Life with Asparagus (1697, PD) Adriaen Coorte
Breakfast_Piece.jpg (1697)
Shell Collection (1698, PD) Coorte


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Shells_-_1698





Asparagus, Gooseberries and Strawberries in a Window, with a view of a Bird in a Tree (1698, PD) Coorte
Still life with asparagus, a spray of gooseberries and a bowl of strawberries (1698, PD) Coorte
Black_Currants.jpg (1698)
Schelpen_op_een_stenen_plint
Pot_of_Strawberries.jpg (1700s)

Strawberries_in_a_Stone_Jar_-_after_1700.jpg
Gooseberries on a Table (1701, PD) Coorte
Still_life_with_a_spray_of_gooseberries.jpg (1702)
Still Life with Five Apricots (1704, PD) Coorte
Wild strawberries in a Wan Li bowl (1704, PD) Coorte
Chestnuts (1705)


https://upload.wikimedia.org/wikipedia/commons/f/f8/Adriaen_Coorte_-_Chestnuts.jpg
Grapes_on_a_Stone_Ledge_1705.jpg
Green_Gooseberries_on_a_Stone_Plinth.jpg (1705)
Drie perziken op een stenen plint (1705, PD) Coorte

Three medlars with a Butterfly (1705, PD) Coorte





Coorte was apparently not well known to his contemporaries outside the small city of Middelburg and, like Vermeer a century before, he was almost entirely forgotten until the 1950s. An exhibition of 35 examples of Coorte's work in 1958 at the Dordrechts Museum, became a sensation in the Netherlands, with the poets Hans Faverey and Ed Leeflang both being inspired by the paintings.

Aert van der neer | Arty Farty

Aert (c1603-1677) was a Dutch landscape painter who specialism was night scenes. His particular skillset was in depicting moonlight and fire...